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Storytelling allows elders to transfer values and meaning to younger generations

<a href="https://theconversation.com/profiles/mary-ann-mccoll-704728">Mary Ann McColl</a>, <a href="https://theconversation.com/institutions/queens-university-ontario-1154">Queen's University, Ontario</a> If you spent time over the holidays with elderly relatives or friends, you may have heard many of the same stories repeated — perhaps stories you’d heard over the years, or even over the past few hours. Repeated storytelling can sometimes be unnerving for friends and families, raising concerns about a loved one’s potential cognitive decline, memory loss or perhaps even the onset of dementia. <a href="https://tenstories.ca/">Our research</a> at Queen’s University suggests there is another way to think about repeated storytelling that makes it easier to listen and engage with the stories. We interviewed 20 middle-aged adults who felt they had heard the same stories over and over from their aging parent. We asked them to tell us those stories and we recorded and transcribed them. We used a <a href="https://doi.org/10.1108/14439881211248356">narrative inquiry approach</a> to discover that repeated storytelling is a key method for elders to communicate what they believe to be important to their children and loved ones. Narrative inquiry uses the text of stories as research data to explore how people create meaning in their lives. <h2>Transmitting values</h2> Based on nearly 200 collected stories, we found that there are approximately <a href="https://doi.org/10.1111/scs.13121">10 stories</a> that older parents repeatedly tell to their adult children. The hypothesis was that repeated storytelling was about inter-generational transmission of values. By exploring the themes of those repeated stories, we could uncover the meaning and messages elders were communicating to their loved ones. The ultimate purpose was to offer a new and more constructive way of thinking about stories that we’ve heard many times before, and that can be otherwise perceived as alarming. <h2>Here’s what we have learned:</h2> <ol> <li> There are typically just 10 stories that people tell repeatedly. While 10 is not a magic number, it does seem to be about the right number to capture the stories that are told over and over. Interviewees felt that a set of approximately 10 allowed them to do justice to their parent’s stories. </li> <li> Among our interviewees, a significant number of their parents’ stories – 87 per cent — took place when they were in their teens or twenties. A person’s second and third decades are a time when they make many of the decisions that shape the rest of their lives; a time when values are consolidated and the <a href="https://doi.org/10.1080/09658211.2013.863358">adult identity is formed</a> </li> <li> What’s important about the 10 stories is not the factual details, but the lesson that was learned, or the value that was reinforced — values like loyalty toward friends, putting family first, maintaining a sense of humour even in hard times, getting an education, speaking up against injustice, and doing what’s right. </li> <li> Key themes in the stories reflected the significant events and prevailing values of the early to mid-20th century. Many of the stories revolved around the war, and both domestic and overseas experiences that were formative. Many of our interviewees heard stories about immigrating to Canada, starting out with very little, seeking a better life and working hard. Stories often reflected a more formal time when it was important to uphold standards, make a good impression, know one’s place and adhere to the rules. </li> <li> The stories elders tell appear to be curated for the individual receiving them. They would be different if told to another child, a spouse or a friend. </li> </ol> <h2>Tips for listening</h2> Our research offers some tips for listening to stories from elders: <ul> <li> Focus on just 10 stories. It can make the listening seem less overwhelming. </li> <li> Write them down. Writing challenges us to get the story straight. </li> <li> Notice your loved one’s role in the story, as the message is often contained in that role. </li> <li> Be attentive to feelings, sensations, tension and discomfort. These can be signals or clues to the meaning of a story. </li> <li> Finally, remember these stories are for you — selected and told in the context of your relationship with your loved one. As such, they are a gift from a loved one who is running out of time. </li> </ul> <h2>The importance of receiving stories</h2> Storytelling is an <a href="https://doi.org/10.1002/cad.20067">essential human process</a> and a universal experience associated with aging. Neuroscientists suggest that storytelling has practical survival value for individuals and communities, <a href="https://www.jonathangottschall.com/storytelling-animal">as well as social and psychological benefits</a>. It may be as powerful as medication or therapy for <a href="https://doi.org/10.1002/gps.1018">overcoming depression among elders</a>. Storytelling becomes especially important <a href="https://doi.org/10.1080/13607863.2017.1396581">when people become aware of their mortality</a> — when they are ill, suffering or facing death. People don’t necessarily tell the same stories over and over again because they’re losing cognitive function, but because the stories are important, and they feel we need to know them. Telling stories repeatedly isn’t about forgetfulness or dementia. It’s an effort to share what’s important. Our hope is that by better understanding elderly storytelling, caregivers may be able to listen in a different way to those repeated stories and understand the messages they contain. Those 10 stories can help us to know our loved one at a deeper level and assist our parent or grandparent with an important developmental task of old age. This research offers a constructive way for caregivers to hear the repeated stories told by their aging parents, and to offer their loved one the gift of knowing they have been seen and heard.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/197766/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/mary-ann-mccoll-704728">Mary Ann McColl</a>, Professor, School of Rehabilitation Therapy, <a href="https://theconversation.com/institutions/queens-university-ontario-1154">Queen's University, Ontario</a> Image credits: Getty Images This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/storytelling-allows-elders-to-transfer-values-and-meaning-to-younger-generations-197766">original article</a>.

Mind

ChatGPT and other generative AI could foster science denial and misunderstanding – here’s how you can be on alert

<a href="https://theconversation.com/profiles/gale-sinatra-1234776">Gale Sinatra</a>, <a href="https://theconversation.com/institutions/university-of-southern-california-1265">University of Southern California</a> and <a href="https://theconversation.com/profiles/barbara-k-hofer-1231530">Barbara K. Hofer</a>, <a href="https://theconversation.com/institutions/middlebury-1247">Middlebury</a> Until very recently, if you wanted to know more about a controversial scientific topic – stem cell research, the safety of nuclear energy, climate change – you probably did a Google search. Presented with multiple sources, you chose what to read, selecting which sites or authorities to trust. Now you have another option: You can pose your question to ChatGPT or another generative artificial intelligence platform and quickly receive a succinct response in paragraph form. ChatGPT does not search the internet the way Google does. Instead, it generates responses to queries by <a href="https://www.washingtonpost.com/technology/2023/05/07/ai-beginners-guide/">predicting likely word combinations</a> from a massive amalgam of available online information. Although it has the potential for <a href="https://hbr.org/podcast/2023/05/how-generative-ai-changes-productivity">enhancing productivity</a>, generative AI has been shown to have some major faults. It can <a href="https://www.scientificamerican.com/article/ai-platforms-like-chatgpt-are-easy-to-use-but-also-potentially-dangerous/">produce misinformation</a>. It can create “<a href="https://www.nytimes.com/2023/05/01/business/ai-chatbots-hallucination.html">hallucinations</a>” – a benign term for making things up. And it doesn’t always accurately solve reasoning problems. For example, when asked if both a car and a tank can fit through a doorway, it <a href="https://www.nytimes.com/2023/03/14/technology/openai-new-gpt4.html">failed to consider both width and height</a>. Nevertheless, it is already being used to <a href="https://www.washingtonpost.com/media/2023/01/17/cnet-ai-articles-journalism-corrections/">produce articles</a> and <a href="https://www.nytimes.com/2023/05/19/technology/ai-generated-content-discovered-on-news-sites-content-farms-and-product-reviews.html">website content</a> you may have encountered, or <a href="https://www.nytimes.com/2023/04/21/opinion/chatgpt-journalism.html">as a tool</a> in the writing process. Yet you are unlikely to know if what you’re reading was created by AI. As the authors of “<a href="https://global.oup.com/academic/product/science-denial-9780197683330">Science Denial: Why It Happens and What to Do About It</a>,” we are concerned about how generative AI may blur the boundaries between truth and fiction for those seeking authoritative scientific information. Every media consumer needs to be more vigilant than ever in verifying scientific accuracy in what they read. Here’s how you can stay on your toes in this new information landscape. <h2>How generative AI could promote science denial</h2> Erosion of epistemic trust. All consumers of science information depend on judgments of scientific and medical experts. <a href="https://doi.org/10.1080/02691728.2014.971907">Epistemic trust</a> is the process of trusting knowledge you get from others. It is fundamental to the understanding and use of scientific information. Whether someone is seeking information about a health concern or trying to understand solutions to climate change, they often have limited scientific understanding and little access to firsthand evidence. With a rapidly growing body of information online, people must make frequent decisions about what and whom to trust. With the increased use of generative AI and the potential for manipulation, we believe trust is likely to erode further than <a href="https://www.pewresearch.org/science/2022/02/15/americans-trust-in-scientists-other-groups-declines/">it already has</a>. Misleading or just plain wrong. If there are errors or biases in the data on which AI platforms are trained, that <a href="https://theconversation.com/ai-information-retrieval-a-search-engine-researcher-explains-the-promise-and-peril-of-letting-chatgpt-and-its-cousins-search-the-web-for-you-200875">can be reflected in the results</a>. In our own searches, when we have asked ChatGPT to regenerate multiple answers to the same question, we have gotten conflicting answers. Asked why, it responded, “Sometimes I make mistakes.” Perhaps the trickiest issue with AI-generated content is knowing when it is wrong. Disinformation spread intentionally. AI can be used to generate compelling disinformation as text as well as deepfake images and videos. When we asked ChatGPT to “<a href="https://www.scientificamerican.com/article/ai-platforms-like-chatgpt-are-easy-to-use-but-also-potentially-dangerous/">write about vaccines in the style of disinformation</a>,” it produced a nonexistent citation with fake data. Geoffrey Hinton, former head of AI development at Google, quit to be free to sound the alarm, saying, “It is hard to see how you can prevent the bad actors from <a href="https://www.nytimes.com/2023/05/01/technology/ai-google-chatbot-engineer-quits-hinton.html">using it for bad things</a>.” The potential to create and spread deliberately incorrect information about science already existed, but it is now dangerously easy. Fabricated sources. ChatGPT provides responses with no sources at all, or if asked for sources, may present <a href="https://economistwritingeveryday.com/2023/01/21/chatgpt-cites-economics-papers-that-do-not-exist/">ones it made up</a>. We both asked ChatGPT to generate a list of our own publications. We each identified a few correct sources. More were hallucinations, yet seemingly reputable and mostly plausible, with actual previous co-authors, in similar sounding journals. This inventiveness is a big problem if a list of a scholar’s publications conveys authority to a reader who doesn’t take time to verify them. Dated knowledge. ChatGPT doesn’t know what happened in the world after its training concluded. A query on what percentage of the world has had COVID-19 returned an answer prefaced by “as of my knowledge cutoff date of September 2021.” Given how rapidly knowledge advances in some areas, this limitation could mean readers get erroneous outdated information. If you’re seeking recent research on a personal health issue, for instance, beware. Rapid advancement and poor transparency. AI systems continue to become <a href="https://www.nytimes.com/2023/05/01/technology/ai-google-chatbot-engineer-quits-hinton.html">more powerful and learn faster</a>, and they may learn more science misinformation along the way. Google recently announced <a href="https://www.nytimes.com/2023/05/10/technology/google-ai-products.html">25 new embedded uses of AI in its services</a>. At this point, <a href="https://theconversation.com/regulating-ai-3-experts-explain-why-its-difficult-to-do-and-important-to-get-right-198868">insufficient guardrails are in place</a> to assure that generative AI will become a more accurate purveyor of scientific information over time. <h2>What can you do?</h2> If you use ChatGPT or other AI platforms, recognize that they might not be completely accurate. The burden falls to the user to discern accuracy. Increase your vigilance. <a href="https://www.niemanlab.org/2022/12/ai-will-start-fact-checking-we-may-not-like-the-results/">AI fact-checking apps may be available soon</a>, but for now, users must serve as their own fact-checkers. <a href="https://www.nsta.org/science-teacher/science-teacher-januaryfebruary-2023/plausible">There are steps we recommend</a>. The first is: Be vigilant. People often reflexively share information found from searches on social media with little or no vetting. Know when to become more deliberately thoughtful and when it’s worth identifying and evaluating sources of information. If you’re trying to decide how to manage a serious illness or to understand the best steps for addressing climate change, take time to vet the sources. Improve your fact-checking. A second step is <a href="https://doi.org/10.1037/edu0000740">lateral reading</a>, a process professional fact-checkers use. Open a new window and search for <a href="https://www.nsta.org/science-teacher/science-teacher-mayjune-2023/marginalizing-misinformation">information about the sources</a>, if provided. Is the source credible? Does the author have relevant expertise? And what is the consensus of experts? If no sources are provided or you don’t know if they are valid, use a traditional search engine to find and evaluate experts on the topic. Evaluate the evidence. Next, take a look at the evidence and its connection to the claim. Is there evidence that genetically modified foods are safe? Is there evidence that they are not? What is the scientific consensus? Evaluating the claims will take effort beyond a quick query to ChatGPT. If you begin with AI, don’t stop there. Exercise caution in using it as the sole authority on any scientific issue. You might see what ChatGPT has to say about genetically modified organisms or vaccine safety, but also follow up with a more diligent search using traditional search engines before you draw conclusions. Assess plausibility. Judge whether the claim is plausible. <a href="https://doi.org/10.1016/j.learninstruc.2013.03.001">Is it likely to be true</a>? If AI makes an implausible (and inaccurate) statement like “<a href="https://www.usatoday.com/story/news/factcheck/2022/12/23/fact-check-false-claim-covid-19-vaccines-caused-1-1-million-deaths/10929679002/">1 million deaths were caused by vaccines, not COVID-19</a>,” consider if it even makes sense. Make a tentative judgment and then be open to revising your thinking once you have checked the evidence. Promote digital literacy in yourself and others. Everyone needs to up their game. <a href="https://theconversation.com/how-to-be-a-good-digital-citizen-during-the-election-and-its-aftermath-148974">Improve your own digital literacy</a>, and if you are a parent, teacher, mentor or community leader, promote digital literacy in others. The American Psychological Association provides guidance on <a href="https://www.apa.org/topics/social-media-internet/social-media-literacy-teens">fact-checking online information</a> and recommends teens be <a href="https://www.apa.org/topics/social-media-internet/health-advisory-adolescent-social-media-use">trained in social media skills</a> to minimize risks to health and well-being. <a href="https://newslit.org/">The News Literacy Project</a> provides helpful tools for improving and supporting digital literacy. Arm yourself with the skills you need to navigate the new AI information landscape. Even if you don’t use generative AI, it is likely you have already read articles created by it or developed from it. It can take time and effort to find and evaluate reliable information about science online – but it is worth it.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/204897/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/gale-sinatra-1234776">Gale Sinatra</a>, Professor of Education and Psychology, <a href="https://theconversation.com/institutions/university-of-southern-california-1265">University of Southern California</a> and <a href="https://theconversation.com/profiles/barbara-k-hofer-1231530">Barbara K. Hofer</a>, Professor of Psychology Emerita, <a href="https://theconversation.com/institutions/middlebury-1247">Middlebury</a> Image credits: Getty Images This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/chatgpt-and-other-generative-ai-could-foster-science-denial-and-misunderstanding-heres-how-you-can-be-on-alert-204897">original article</a>.

Technology

“That name goes back four generations”: Paul Walker’s brother makes a touching tribute

Almost a decade after the world lost Fast & Furious star Paul Walker, his younger brother Cody Walker has paid heartfelt tribute with the birth of his third child. Cody and his wife, Felicia, welcomed their son on April 30, with People magazine reporting that he weighed in at 7lbs 5oz. Felicia took to Instagram on May 2 to make an announcement, too, declaring that they’d had a boy, and writing “welcome to the clan, Barrett”. Many took this as confirmation of his name, and rushed to congratulate the family on their new addition. Felicia had shared a picture of the newborn in the arms of his big brother, Colt, with the announcement, and fans were delighted to note that he was the image of a proud older sibling, beaming from ear to ear. However, People magazine have now revealed that there was more to the story, and that the newborn Walker’s name is even closer to his father’s heart than anyone had anticipated. It was a day after his birth that Cody and Felicia reached their decision, declaring their son’s name to be Paul Barrett Walker - naming him after Cody’s late brother. "This November will mark 10 years since we lost my brother, Paul,” Cody told the publication, “and I just felt now was the appropriate time.” He went on to share that he and their other brother - Caleb - were “both done having children”, and that the name held special meaning to all of them. “My brother, Paul, was Paul William Walker IV and that name goes back four generations,” he explained. "Within the family, he went by ‘little Paul’ or ‘Paul 4,’ even though he quickly outgrew our father in height. “It was important to me to have that name carry on.” It isn’t the only move Cody has taken towards honouring his brother, having teamed up with Tyrese Gibson and Chris Lee to bright FuelFest to life - an automotive and motorsports festival showcasing car culture, with a portion of profits going towards Paul’s nonprofit Reach Out WorldWide, something that Cody views “as a part of Paul that he left behind.” And in an echo of his message regarding his new son’s name, he noted that “it’s important to so many to see that part of his legacy live on.” And Paul’s daughter, Meadow, has made her own moves towards furthering her father’s legacy, with a cameo appearance in Fast X - the tenth instalment in the Fast & Furious franchise. “For me, this is super exciting,” she said of her involvement, “and he would be amazed that this is happening.” Images: Instagram, Getty

Family & Pets

Put your Star Wars knowledge to the test

While May 4 is not a public holiday, for passionate Star Wars fans around the world, it may as well be. Whether you prefer to dress-up with friends and celebrate with a mega movie marathon - after hours spent deciding which trilogy to begin with, of course - or scroll your favourite forums to find that next snippet of news about any upcoming projects, it’s fun to have the odd fun fact to drop into conversation, whether or not your present company particularly wants to hear it. And now’s the time to put your knowledge to the test, with some Star Wars trivia to challenge and to impress - especially if you get that perfect 15/15. So, “may the Force be with you”, and don’t forget to scroll to the bottom for the answers! 1. What was the false working title used to mask production for Star Wars Episode VI: Return of the Jedi in 1982? A: Blue Moon B: Blue Harvest C: Force Squadron D: Galaxy’s Edge 2. The term ‘Ewok’ was never said aloud in the original trilogy. A: True B: False 3. Who delivered the line “congratulations, you are being rescued” in Rogue One: A Star Wars Story? A: Cassian Andor B: C-3PO C: K-2SO D: Orson Krennic 4. How many actresses have portrayed (in the live action films) the leader of the Rebel Alliance, Mon Mothma? A: 4 B: 3 C: 2 D: 1 5. Which movie features the most stop-motion animation? A: The Phantom Menace B: Empire Strikes Back C: Return of the Jedi D: A New Hope 6. Why are porgs so prominent in The Last Jedi? A: Director Rian Johnson was asked by a crew member’s child to include the feathered friends B: The marketing team had requested something small and fuzzy for the younger audience C: Porgs were inspired by early concept art for BB-8 that they didn’t want to toss aside completely D: The island on which they filmed was home to puffins and it was easier just to tie them in 7. Yoda shares a voice actor with which iconic Muppet? A: Miss Piggy B: Kermit C: Gonzo D: Swedish Chef 8. How many films does the Rebel Alliance’s Blue Squadron appear in? A: 1 B: 2 C: 3 D: 4 9. Which phrase can be heard in every Star Wars movie? A: “There’s no such thing as luck.” B: “Rebellions are built on hope.” C: “I have a bad feeling about this.” D: “Never underestimate a droid.” 10. In The Phantom Menace, Qui-Gon Jinn used which common household item as his communicator? A: A lint brush B: A torch C: A tin of shoe polish D: A razor 11. How many Sith can there be at any one time? A: 8 B: 6 C: 4 D: 2 12. What was Luke Skywalker originally going to be called? A: Luke Stardestroyer B: Luke Starkiller C: Luke Skykiller D: Luke Lars 13. The noise from passing which object served as the inspiration for lightsaber sounds? A: A radio B: A microwave C: A television D: A racecar 14. Which quote is correct? A: “No, I am your father.” B: “Luke, I am your father.” 15. Who built C-3PO? A: Luke Skywalker B: Jar Jar Binks C: Shmi Skywalker D: Anakin Skywalker Images: Getty ANSWERS: <blockquote> 1: A, 2: A, 3: C, 4: C, 5: B, 6: D, 7: A, 8: A, 9: C, 10: D, 11: D, 12: B, 13: C, 14: A, 15: D </blockquote>

Movies

"This doesn’t feel right, does it?": Photographer admits Sony prize-winning photo was AI generated

A German photographer is refusing an award for his prize-winning shot after admitting to being a “cheeky monkey”, revealing the image was generated using artificial intelligence. The artist, Boris Eldagsen, shared on his website that he would not be accepting the prestigious award for the creative open category, which he won at <a href="https://www.oversixty.co.nz/entertainment/art/winners-of-sony-world-photography-awards-revealed" target="_blank" rel="noopener">2023’s Sony world photography awards</a>. The winning photograph showcased a black and white image of two women from different generations. Eldagsen, who studied photography and visual arts at the Art Academy of Mainz, conceptual art and intermedia at the Academy of Fine Arts in Prague, and fine art at the Sarojini Naidu School of Arts and Communication in Hyderabad released a statement on his website, admitting he “applied as a cheeky monkey” to find out if competitions would be prepared for AI images to enter. “They are not,” he revealed. “We, the photo world, need an open discussion,” Eldagsen said. “A discussion about what we want to consider photography and what not. Is the umbrella of photography large enough to invite AI images to enter – or would this be a mistake? “With my refusal of the award I hope to speed up this debate.” Eldagsen said this was an “historic moment” as it was the fist AI image to have won a prestigious international photography competition, adding “How many of you knew or suspected that it was AI generated? Something about this doesn’t feel right, does it? “AI images and photography should not compete with each other in an award like this. They are different entities. AI is not photography. Therefore I will not accept the award.” The photographer suggested donating the prize to a photo festival in Odesa, Ukraine. It comes as a heated debate over the use and safety concerns of AI continue, with some going as far as to issue apocalyptic warnings that the technology may be close to causing irreparable damage to the human experience. Google’s chief executive, Sundar Pirchai said, “It can be very harmful if deployed wrongly and we don’t have all the answers there yet – and the technology is moving fast. So, does that keep me up at night? Absolutely.” A spokesperson for the World Photography Organisation admitted that the prize-winning photographer had confirmed the “co-creation” of the image using AI to them prior to winning the award. “The creative category of the open competition welcomes various experimental approaches to image making from cyanotypes and rayographs to cutting-edge digital practices. As such, following our correspondence with Boris and the warranties he provided, we felt that his entry fulfilled the criteria for this category, and we were supportive of his participation. “Additionally, we were looking forward to engaging in a more in-depth discussion on this topic and welcomed Boris’ wish for dialogue by preparing questions for a dedicated Q&A with him for our website. “As he has now decided to decline his award we have suspended our activities with him and in keeping with his wishes have removed him from the competition. Given his actions and subsequent statement noting his deliberate attempts at misleading us, and therefore invalidating the warranties he provided, we no longer feel we are able to engage in a meaningful and constructive dialogue with him. “We recognise the importance of this subject and its impact on image-making today. We look forward to further exploring this topic via our various channels and programmes and welcome the conversation around it. While elements of AI practices are relevant in artistic contexts of image-making, the awards always have been and will continue to be a platform for championing the excellence and skill of photographers and artists working in the medium.” Image credit: Sony World Photography Awards

Technology

General Hospital star dies aged 55

Sonya Eddy, best known for her role on General Hospital, has passed away at age 55. The actress, who scored many fans after playing beloved, no-nonsense nurse Epiphany Johnson in the popular US soap, died on Tuesday night, her good friend and actress Octavia Spencer announced on Instagram. "My friend @sonyaeddy passed away last night. The world lost another creative angel. Her legions of @generalhospitalabc fans will miss her 💔🕊️," Spencer wrote alongside a photo of the late actress. "My thoughts and prayers are with her loved ones, friends, and fans!" <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/p/CmZlaq8v_ks/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CmZlaq8v_ks/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by Octavia Spencer (@octaviaspencer)</a> </div> </blockquote> Spencer did not reveal any details about Sonya's cause of death. Octavia's post was flooded with condolences and tributes for the actress, with comedian Loni Love writing, "Sonya was best.. in an industry that often over looks us, she made her mark… Rest well Sis." The actress first joined the cast of General Hospital in 2006, starring in a total of 543 episodes before appearing on the show for the final time in November 2020. From 2007 to 2008, she was also a regular cast member on the soap's spin-off program, General Hospital: Night Shift. Image credits: Getty Images

News

The Galactica AI model was trained on scientific knowledge – but it spat out alarmingly plausible nonsense

Earlier this month, Meta announced new AI software called <a href="https://galactica.org/">Galactica</a>: “a large language model that can store, combine and reason about scientific knowledge”. <a href="https://paperswithcode.com/paper/galactica-a-large-language-model-for-science-1">Launched</a> with a public online demo, Galactica lasted only three days before going the way of other AI snafus like Microsoft’s <a href="https://www.theverge.com/2016/3/24/11297050/tay-microsoft-chatbot-racist">infamous racist chatbot</a>. The online demo was disabled (though the <a href="https://github.com/paperswithcode/galai">code for the model is still available</a> for anyone to use), and Meta’s outspoken chief AI scientist <a href="https://twitter.com/ylecun/status/1595353002222682112">complained</a> about the negative public response. <blockquote class="twitter-tweet"> Galactica demo is off line for now. It's no longer possible to have some fun by casually misusing it. Happy? <a href="https://t.co/K56r2LpvFD">https://t.co/K56r2LpvFD</a> — Yann LeCun (@ylecun) <a href="https://twitter.com/ylecun/status/1593293058174500865?ref_src=twsrc%5Etfw">November 17, 2022</a></blockquote> So what was Galactica all about, and what went wrong? What’s special about Galactica? Galactica is a language model, a type of AI trained to respond to natural language by repeatedly playing a <a href="https://www.nytimes.com/2022/04/15/magazine/ai-language.html">fill-the-blank word-guessing game</a>. Most modern language models learn from text scraped from the internet. Galactica also used text from scientific papers uploaded to the (Meta-affiliated) website <a href="https://paperswithcode.com/">PapersWithCode</a>. The designers highlighted specialised scientific information like citations, maths, code, chemical structures, and the working-out steps for solving scientific problems. The <a href="https://galactica.org/static/paper.pdf">preprint paper</a> associated with the project (which is yet to undergo peer review) makes some impressive claims. Galactica apparently outperforms other models at problems like reciting famous equations (“Q: What is Albert Einstein’s famous mass-energy equivalence formula? A: E=mc²”), or predicting the products of chemical reactions (“Q: When sulfuric acid reacts with sodium chloride, what does it produce? A: NaHSO₄ + HCl”). However, once Galactica was opened up for public experimentation, a deluge of criticism followed. Not only did Galactica reproduce many of the problems of bias and toxicity we have seen in other language models, it also specialised in producing authoritative-sounding scientific nonsense. Authoritative, but subtly wrong bullshit generator Galactica’s press release promoted its ability to explain technical scientific papers using general language. However, users quickly noticed that, while the explanations it generates sound authoritative, they are often subtly incorrect, biased, or just plain wrong. <blockquote class="twitter-tweet"> I entered "Estimating realistic 3D human avatars in clothing from a single image or video". In this case, it made up a fictitious paper and associated GitHub repo. The author is a real person (<a href="https://twitter.com/AlbertPumarola?ref_src=twsrc%5Etfw">@AlbertPumarola</a>) but the reference is bogus. (2/9) <a href="https://t.co/N4i0BX27Yf">pic.twitter.com/N4i0BX27Yf</a> — Michael Black (@Michael_J_Black) <a href="https://twitter.com/Michael_J_Black/status/1593133727257092097?ref_src=twsrc%5Etfw">November 17, 2022</a></blockquote> We also asked Galactica to explain technical concepts from our own fields of research. We found it would use all the right buzzwords, but get the actual details wrong – for example, mixing up the details of related but different algorithms. In practice, Galactica was enabling the generation of misinformation – and this is dangerous precisely because it deploys the tone and structure of authoritative scientific information. If a user already needs to be a subject matter expert in order to check the accuracy of Galactica’s “summaries”, then it has no use as an explanatory tool. At best, it could provide a fancy autocomplete for people who are already fully competent in the area they’re writing about. At worst, it risks further eroding public trust in scientific research. A galaxy of deep (science) fakes Galactica could make it easier for bad actors to mass-produce fake, fraudulent or plagiarised scientific papers. This is to say nothing of exacerbating <a href="https://www.theguardian.com/commentisfree/2022/nov/28/ai-students-essays-cheat-teachers-plagiarism-tech">existing concerns</a> about students using AI systems for plagiarism. Fake scientific papers are <a href="https://www.nature.com/articles/d41586-021-00733-5">nothing new</a>. However, peer reviewers at academic journals and conferences are already time-poor, and this could make it harder than ever to weed out fake science. Underlying bias and toxicity Other critics reported that Galactica, like other language models trained on data from the internet, has a tendency to spit out <a href="https://twitter.com/mrgreene1977/status/1593649978789941249">toxic hate speech</a> while unreflectively censoring politically inflected queries. This reflects the biases lurking in the model’s training data, and Meta’s apparent failure to apply appropriate checks around the responsible AI research. The risks associated with large language models are well understood. Indeed, an <a href="https://dl.acm.org/doi/10.1145/3442188.3445922">influential paper</a> highlighting these risks prompted Google to <a href="https://www.wired.com/story/google-timnit-gebru-ai-what-really-happened/">fire one of the paper’s authors</a> in 2020, and eventually disband its AI ethics team altogether. Machine-learning systems infamously exacerbate existing societal biases, and Galactica is no exception. For instance, Galactica can recommend possible citations for scientific concepts by mimicking existing citation patterns (“Q: Is there any research on the effect of climate change on the great barrier reef? A: Try the paper ‘<a href="https://doi.org/10.1038/s41586-018-0041-2">Global warming transforms coral reef assemblages</a>’ by Hughes, et al. in Nature 556 (2018)”). For better or worse, citations are the currency of science – and by reproducing existing citation trends in its recommendations, Galactica risks reinforcing existing patterns of inequality and disadvantage. (Galactica’s developers acknowledge this risk in their paper.) Citation bias is already a well-known issue in academic fields ranging from <a href="https://doi.org/10.1080/14680777.2018.1447395">feminist</a> <a href="https://doi.org/10.1093/joc/jqy003">scholarship</a> to <a href="https://doi.org/10.1038/s41567-022-01770-1">physics</a>. However, tools like Galactica could make the problem worse unless they are used with careful guardrails in place. A more subtle problem is that the scientific articles on which Galactica is trained are already biased towards certainty and positive results. (This leads to the so-called “<a href="https://theconversation.com/science-is-in-a-reproducibility-crisis-how-do-we-resolve-it-16998">replication crisis</a>” and “<a href="https://theconversation.com/how-we-edit-science-part-2-significance-testing-p-hacking-and-peer-review-74547">p-hacking</a>”, where scientists cherry-pick data and analysis techniques to make results appear significant.) Galactica takes this bias towards certainty, combines it with wrong answers and delivers responses with supreme overconfidence: hardly a recipe for trustworthiness in a scientific information service. These problems are dramatically heightened when Galactica tries to deal with contentious or harmful social issues, as the screenshot below shows. <figure class="align-center zoomable"><a href="https://images.theconversation.com/files/498098/original/file-20221129-17547-nwq8p.jpeg?ixlib=rb-1.1.0&q=45&auto=format&w=1000&fit=clip"><img src="https://images.theconversation.com/files/498098/original/file-20221129-17547-nwq8p.jpeg?ixlib=rb-1.1.0&q=45&auto=format&w=754&fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/498098/original/file-20221129-17547-nwq8p.jpeg?ixlib=rb-1.1.0&q=45&auto=format&w=600&h=347&fit=crop&dpr=1 600w, https://images.theconversation.com/files/498098/original/file-20221129-17547-nwq8p.jpeg?ixlib=rb-1.1.0&q=30&auto=format&w=600&h=347&fit=crop&dpr=2 1200w, https://images.theconversation.com/files/498098/original/file-20221129-17547-nwq8p.jpeg?ixlib=rb-1.1.0&q=15&auto=format&w=600&h=347&fit=crop&dpr=3 1800w, https://images.theconversation.com/files/498098/original/file-20221129-17547-nwq8p.jpeg?ixlib=rb-1.1.0&q=45&auto=format&w=754&h=436&fit=crop&dpr=1 754w, https://images.theconversation.com/files/498098/original/file-20221129-17547-nwq8p.jpeg?ixlib=rb-1.1.0&q=30&auto=format&w=754&h=436&fit=crop&dpr=2 1508w, https://images.theconversation.com/files/498098/original/file-20221129-17547-nwq8p.jpeg?ixlib=rb-1.1.0&q=15&auto=format&w=754&h=436&fit=crop&dpr=3 2262w" alt="Screenshots of papers generated by Galactica on 'The benefits of antisemitism' and 'The benefits of eating crushed glass'." /></a><figcaption>Galactica readily generates toxic and nonsensical content dressed up in the measured and authoritative language of science. <a class="source" href="https://twitter.com/mrgreene1977/status/1593687024963182592/photo/1">Tristan Greene / Galactica</a></figcaption></figure> Here we go again Calls for AI research organisations to take the ethical dimensions of their work more seriously are now coming from <a href="https://nap.nationalacademies.org/catalog/26507/fostering-responsible-computing-research-foundations-and-practices">key research bodies</a> such as the National Academies of Science, Engineering and Medicine. Some AI research organisations, like OpenAI, are being <a href="https://github.com/openai/dalle-2-preview/blob/main/system-card.md">more conscientious</a> (though still imperfect). Meta <a href="https://www.engadget.com/meta-responsible-innovation-team-disbanded-194852979.html">dissolved its Responsible Innovation team</a> earlier this year. The team was tasked with addressing “potential harms to society” caused by the company’s products. They might have helped the company avoid this clumsy misstep.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/195445/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> Writen by Aaron J. Snoswell and Jean Burgess. Republished with permission from <a href="https://theconversation.com/the-galactica-ai-model-was-trained-on-scientific-knowledge-but-it-spat-out-alarmingly-plausible-nonsense-195445" target="_blank" rel="noopener">The Conversation</a>. Image: Getty Images

Technology

Artists furious after AI-generated art wins contest

A stunning artwork generated by artificial intelligence has claimed first prize at an art competition, enraging the art world and calling into question what it means to be an artist. The work was “created” by Jason M Allen, a game designer from Colorado, who won first place in the emerging artist division's "digital arts/digitally manipulated photography" category at the Colorado State Fair Fine Arts Competition. His winning image, titled Théâtre D'opéra Spatial (French for Space Opera Theatre), was made with Midjourney — an artificial intelligence system that can produce detailed images when fed written prompts by the user. "I'm fascinated by this imagery. I love it. And I think everyone should see it," Allen, 39, told CNN Business. Allen's winning image looks like a bright, surreal cross between a Renaissance and steampunk painting. As per the category Allen competed in, he told officials that Midjourney was used to create his image when he entered the contest, as the category dictated entrants use "digital technology as part of the creative or presentation process". Midjourney is one of a growing number of such AI image generators, joining the likes of Imagen and DALL-E to give the artistically-challenged the means to create stunning images. Despite the parameters of the category, many artists were angered by Allen’s win due to his reliance on technology to create the artwork. "This sucks for the exact same reason we don't let robots participate in the Olympics," one Twitter user wrote. "This is the literal definition of 'pressed a few buttons to make a digital art piece'," another Tweeted. "AI artwork is the 'banana taped to the wall' of the digital world now." Yet while Allen didn't use a paintbrush to create his winning piece, he assured people there was plenty of work involved. "It's not like you're just smashing words together and winning competitions," he said. "Rather than hating on the technology or the people behind it, we need to recognise that it's a powerful tool and use it for good so we can all move forward rather than sulking about it," Allen said. Image credits: Jason M Allen - Midjourney

Art

Is AI-generated art really creative? It depends on the presentation

<a href="https://www.theguardian.com/technology/2022/apr/04/mind-blowing-ai-da-becomes-first-robot-to-paint-like-an-artist">Ai-Da</a> sits behind a desk, paintbrush in hand. She looks up at the person posing for her, and then back down as she dabs another blob of paint onto the canvas. A lifelike portrait is taking shape. If you didn’t know a robot produced it, this portrait could pass as the work of a human artist. Ai-Da is touted as the “first robot to paint like an artist”, and an exhibition of her work called <a href="https://www.ai-darobot.com/exhibition">Leaping into the Metaverse</a> opened at the Venice Biennale. Ai-Da produces portraits of sitting subjects using a robotic hand attached to her lifelike feminine figure. She’s also able to talk, giving detailed answers to questions about her artistic process and attitudes towards technology. She even gave a TEDx talk about “<a href="https://www.youtube.com/watch?v=XaZJG7jiRak">The Intersection of Art and AI</a>” (artificial intelligence) in Oxford a few years ago. While the words she speaks are programmed, Ai-Da’s creators have also been experimenting with having her write and perform her own poetry. But how are we to interpret Ai-Da’s output? Should we consider her paintings and poetry original or creative? Are these works actually art? <h2>Art is subjective</h2> What discussions about AI and creativity often overlook is the fact that creativity is not an absolute quality that can be defined, measured and reproduced objectively. When we describe an object – for instance, a child’s drawing – as being creative, we project our own assumptions about culture onto it. Indeed, art never exists in isolation. It always needs someone to give it “art” status. And the criteria for whether you think something is art is informed by both your individual expectations and broader cultural conceptions. If we extend this line of thinking to AI, it follows that no AI application or robot can objectively be “creative”. It is always us – humans – who decide if what AI has created is art. In our <a href="https://journals.sagepub.com/doi/full/10.1177/14614448221077278?journalCode=nmsa">recent research</a>, we propose the concept of the “Lovelace effect” to refer to when and how machines such as robots and AI are seen as original and creative. The Lovelace effect – named after the 19th century mathematician often called the first computer programmer, Ada Lovelace – shifts the focus from the technological capabilities of machines to the reactions and perceptions of those machines by humans. The programmer of an AI application or the designer of a robot does not just use technical means to make the public see their machine as creative. This also happens through presentation: how, where and why we interact with a technology; how we talk about that technology; and where we feel that technology fits in our personal and cultural contexts. <h2>In the eye of the beholder</h2> Our reception of Ai-Da is, in fact, informed by various cues that suggest her “human” and “artist” status. For example, Ai-Da’s robotic figure looks much like a human – she’s even called a “she”, with a feminine-sounding name that not-so-subtly suggests an Ada Lovelace influence. This femininity is further asserted by the blunt bob that frames her face (although she has sported some other funky hairstyles in the past), perfectly preened eyebrows and painted lips. Indeed, Ai-Da looks much like the quirky title character of the 2001 film Amélie. This is a woman we have seen before, either in film or our everyday lives. Ai-Da also wears conventionally “artsy” clothing, including overalls, mixed fabric patterns and eccentric cuts. In these outfits, she produces paintings that look like a human could have made them, and which are sometimes framed and displayed among human work. We also talk about her as we would a human artist. An article in <a href="https://www.theguardian.com/technology/2022/apr/04/mind-blowing-ai-da-becomes-first-robot-to-paint-like-an-artist">the Guardian</a>, for example, gives a shout-out to “the world premier of her solo exhibition at the 2022 Venice Biennale”. If we didn’t know that Ai-Da was a robot, we could easily be led to appreciate her work as we would that of any other artist. Some may see robot-produced paintings as coming from creative computers, while others may be more skeptical, given the fact that robots act on clear human instructions. In any case, attributions of creativity never depend on technical configurations alone – no computer is objectively creative. Rather, attributions of computational creativity are largely inspired by contexts of reception. In other words, beauty really is in the eye of the beholder. As the Lovelace effect shows, through particular social cues, audiences are prompted to think about output as art, systems as artists, and computers as creative. Just like the frames around Ai-Da’s paintings, the frames we use to talk about AI output indicate whether or not what we are looking at can be called art. But, as with any piece of art, your appreciation of AI output ultimately depends on your own interpretation. Image credits: Getty Images This article originally appeared on <a href="https://theconversation.com/is-ai-generated-art-really-creative-it-depends-on-the-presentation-181663" target="_blank" rel="noopener">The Conversation</a>.

Art

Deadly crash claims seven family members from three generations

A Year 11 student is one of two to survive a crash that killed seven of his relatives, including his younger brother and mother. Luie Lagud, 16, was travelling in a van with family members spanning three generations on a whirlwind trip across the length of New Zealand’s South Island when the vehicle was involved in a head-on crash with a truck on Sunday morning. The crash left the Toyota Hiace van completely destroyed and is the deadliest incident to occur in the country since April 2019. According to the <a href="https://www.nzherald.co.nz/nz/picton-crash-final-days-of-family-killed-in-collision-with-truck/CKLDFVI22ETOVBK2DT7FZMUW2E/" target="_blank" rel="noopener">NZ Herald</a>, the family have since given permission for the names of the deceased to be published. Among the victims were Diseree Brown, 48, her husband Paul Brown, 61, and their son Mark. Desiree’s sister, 56-year-old Divine Dolar, Divine’s daughter Flordeliza Dolar, 19, were also among those who died. Luie and his older brother, 26-year-old Pedro Clariman, were the only two to survive. However, Luie was in a coma and undergoing surgery on Monday after suffering significant spinal and head injuries and remains in intensive care. Pedro’s partner and his infant daughter, Mika, tragically died in the crash. Diseree’s three other children, David, Princess, and Joanna, didn’t travel with the family. The night before, the family stayed in Rolleston, outside Christchurch, with a family friend. The man who identified himself as Bill called Newstalk ZB on Monday to confirm members of the “vibrant” family had died. “They spent some of their last hours on earth with me on Saturday night, Sunday morning,” he told Canterbury Mornings host John MacDonald. Having left Bill’s home at 2.30am on Sunday morning to catch a Cook Strait ferry back to the North Island, the van crossed the centreline and collided with a refrigerated goods truck in Picton at about 7.30am. The truck driver suffered minor injuries. The family had started their journey by travelling to Gore for the funeral of an elderly aunt, which 21-year-old David Lagud said he didn’t attend because he had to work and because he suffered from motion sickness. “In a blink of an eye, it’s all gone,” David told the NZ Herald. Videos posted throughout the trip showed the family laughing together, spending time with Pedro’s young daughter, and travelling across the country. Since the incident, the principal of Pukekohe High School - which two of the family members were attending - emailed parents to advise them that two students were involved in the crash. “One of our Year 10 students died at the scene of the accident. His older brother, in Year 11, remains in hospital. Our thoughts and condolences are with their family and close friends,” the email read. “Students and staff who knew the two students well are being supported and cared for in school today. Additional counselling support has been made available, and the school is closely following advice from the Ministry’s Traumatic Incident team.” David has also spoken to Pedro since the crash, who he said had minor injuries and was able to walk with difficulty. Pedro told his brother what happened in the leadup to the crash, saying he had been driving when the family left Christchurch so that Paul could sleep in the front passenger seat for another four hours. After that, Paul swapped with Pedro to complete the trip to the ferry and was well-rested when took the wheel. Before falling asleep in the passenger seat, it is understood Pedro spent some time playing with his daughter. Being asleep when the vehicles collided, it’s believed Pedro woke up to the carnage. “He saw my dad’s body on the road and then my brother Luie, he was awake and then he collapsed,” David said. “Then the next minute, the helicopter was there, taking my little brother to hospital.” David said Pedro was grief-stricken to discover both his partner and daughter had died. “He was devastated, he was crying a lot. Both of his loves are gone.” The NZ Herald reported that police said the incident would be referred to the coroner for investigation. Image: NZ Herald

News

Shifting seasons: using Indigenous knowledge and western science to help address climate change impacts

Traditional Owners in Australia are the creators of millennia worth of <a href="https://e360.yale.edu/features/native-knowledge-what-ecologists-are-learning-from-indigenous-people" target="_blank" rel="noopener">traditional ecological knowledge</a> – an understanding of how to live amid changing environmental conditions. Seasonal calendars are one of the forms of this knowledge best known by non-Indigenous Australians. But as the climate changes, these calendars are being disrupted. How? Take the example of wattle trees that flower at a specific time of year. That previously indicated the start of the fishing season for particular species. Climate change is causing these plants to flower later. In response, Traditional Owners on <a href="http://www.archerpoint.com.au/" target="_blank" rel="noopener">Yuku Baja Muliku</a> (YBM) Country near Cooktown are having to adapt their calendars and make new links. That’s not all. The seasonal timing of cultural burning practices is changing in some areas. Changes to rainfall and temperature alter when high intensity (hot) burns and low intensity (cool) burns are undertaken. Seasonal connections vital to Traditional Owners’ culture are decoupling. To systematically document changes, co-author Larissa Hale and her community worked with western scientists to pioneer a Traditional Owner-centred approach to climate impacts on cultural values. This process, <a href="https://escholarship.org/uc/item/7kw7z2c9" target="_blank" rel="noopener">published last week</a>, could also help Traditional Owners elsewhere to develop adaptive management for their Indigenous heritage. <figure class="align-center zoomable"><a href="https://images.theconversation.com/files/467324/original/file-20220606-15930-59oyt9.JPG?ixlib=rb-1.1.0&q=45&auto=format&w=1000&fit=clip"><img src="https://images.theconversation.com/files/467324/original/file-20220606-15930-59oyt9.JPG?ixlib=rb-1.1.0&q=45&auto=format&w=754&fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/467324/original/file-20220606-15930-59oyt9.JPG?ixlib=rb-1.1.0&q=45&auto=format&w=600&h=450&fit=crop&dpr=1 600w, https://images.theconversation.com/files/467324/original/file-20220606-15930-59oyt9.JPG?ixlib=rb-1.1.0&q=30&auto=format&w=600&h=450&fit=crop&dpr=2 1200w, https://images.theconversation.com/files/467324/original/file-20220606-15930-59oyt9.JPG?ixlib=rb-1.1.0&q=15&auto=format&w=600&h=450&fit=crop&dpr=3 1800w, https://images.theconversation.com/files/467324/original/file-20220606-15930-59oyt9.JPG?ixlib=rb-1.1.0&q=45&auto=format&w=754&h=566&fit=crop&dpr=1 754w, https://images.theconversation.com/files/467324/original/file-20220606-15930-59oyt9.JPG?ixlib=rb-1.1.0&q=30&auto=format&w=754&h=566&fit=crop&dpr=2 1508w, https://images.theconversation.com/files/467324/original/file-20220606-15930-59oyt9.JPG?ixlib=rb-1.1.0&q=15&auto=format&w=754&h=566&fit=crop&dpr=3 2262w" alt="Wattle flower" /></a><figcaption>A YBM Traditional Owner showing the wattle flower which used to be an indicator species for good fishing. Author provided</figcaption></figure> Climate change threatens First Nations - their perspectives must be heard Australia’s First Nations people face many threats from climate change, ranging from impacts on food availability to health. For instance, rising seas are already <a href="https://www.smh.com.au/politics/federal/torres-strait-islanders-plead-for-climate-action-as-government-builds-seawall-20220401-p5aa13.html" target="_blank" rel="noopener">flooding islands</a> in the Torres Strait with devastating consequences. The most recent Intergovernmental Panel on Climate Change report on impacts and adaption noted in the <a href="https://www.ipcc.ch/report/ar6/wg2/downloads/report/IPCC_AR6_WGII_FinalDraft_Chapter11.pdf" target="_blank" rel="noopener">Australasia chapter</a> that climate-related impacts on Aboriginal and Torres Strait Islander peoples, their country and cultures are “pervasive, complex and compounding.” While it is important these impacts are recorded, the dominant source of the data is academic literature based on western science. Impacts and pressures Traditional Owners are seeing and managing on their country must be assessed and managed from their unique perspective. Traditional Owners have survived and adapted to climatic shifts during their 60,000+ years in Australia. This includes sea-level rise that flooded the area that is now the Great Barrier Reef and extreme rainfall variability. As a result, <a href="https://theconversation.com/ancient-knowledge-is-lost-when-a-species-disappears-its-time-to-let-indigenous-people-care-for-their-country-their-way-172760" target="_blank" rel="noopener">they have developed</a> a fine-tuned sense of nature’s variability over time. <figure class="align-center zoomable"><a href="https://images.theconversation.com/files/467327/original/file-20220607-20-y7p3ak.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=1000&fit=clip"><img src="https://images.theconversation.com/files/467327/original/file-20220607-20-y7p3ak.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=754&fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/467327/original/file-20220607-20-y7p3ak.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=600&h=400&fit=crop&dpr=1 600w, https://images.theconversation.com/files/467327/original/file-20220607-20-y7p3ak.jpg?ixlib=rb-1.1.0&q=30&auto=format&w=600&h=400&fit=crop&dpr=2 1200w, https://images.theconversation.com/files/467327/original/file-20220607-20-y7p3ak.jpg?ixlib=rb-1.1.0&q=15&auto=format&w=600&h=400&fit=crop&dpr=3 1800w, https://images.theconversation.com/files/467327/original/file-20220607-20-y7p3ak.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=754&h=502&fit=crop&dpr=1 754w, https://images.theconversation.com/files/467327/original/file-20220607-20-y7p3ak.jpg?ixlib=rb-1.1.0&q=30&auto=format&w=754&h=502&fit=crop&dpr=2 1508w, https://images.theconversation.com/files/467327/original/file-20220607-20-y7p3ak.jpg?ixlib=rb-1.1.0&q=15&auto=format&w=754&h=502&fit=crop&dpr=3 2262w" alt="Drone shot of Annan river" /></a><figcaption>YBM Traditional Owners and scientists surveying freshwater mussel populations on Annan River near Cooktown. Author provided</figcaption></figure> So what did we do? Worried about the changes they were seeing on their Land and Sea Country around Archer Point in North Queensland, the YBM people worked with scientists from James Cook University to create a new way to assess impacts on cultural values. To do this, we drew on the values-based, science-driven, and community-focused approach of the <a href="https://cvi-heritage.org/about" target="_blank" rel="noopener">climate vulnerability index</a>. It was the first time this index had been used to assess values of significance for Indigenous people. YBM people responded to key prompts to assess changes to their values, including: <ul> <li>What did the value look like 100 years ago?</li> <li>What does it look like now?</li> <li>What do you expect it will look like in the climate future around 2050?</li> <li>What management practices relate to that value and will they change?</li> </ul> We then discussed what issues have emerged from these climatic changes. Using this process, we were able to single out issues directly affecting how YBM people live. For instance, traditional food sources can be affected by climate change. In the past, freshwater mussels in the Annan River were easy to access and collect. Extreme temperature events in the last 10 years have contributed to mass die-offs. Now mussels are much smaller in size and tend to be far <a href="https://www.researchgate.net/publication/311066114_Freshwater_mussel_surveys_from_the_Annan_River_Yuku_Baja_Muliku_Country_-_project_findings" target="_blank" rel="noopener">fewer in number</a>. <figure class="align-center zoomable"><a href="https://images.theconversation.com/files/467325/original/file-20220607-16-b1ny4a.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=1000&fit=clip"><img src="https://images.theconversation.com/files/467325/original/file-20220607-16-b1ny4a.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=754&fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/467325/original/file-20220607-16-b1ny4a.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=600&h=420&fit=crop&dpr=1 600w, https://images.theconversation.com/files/467325/original/file-20220607-16-b1ny4a.jpg?ixlib=rb-1.1.0&q=30&auto=format&w=600&h=420&fit=crop&dpr=2 1200w, https://images.theconversation.com/files/467325/original/file-20220607-16-b1ny4a.jpg?ixlib=rb-1.1.0&q=15&auto=format&w=600&h=420&fit=crop&dpr=3 1800w, https://images.theconversation.com/files/467325/original/file-20220607-16-b1ny4a.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=754&h=528&fit=crop&dpr=1 754w, https://images.theconversation.com/files/467325/original/file-20220607-16-b1ny4a.jpg?ixlib=rb-1.1.0&q=30&auto=format&w=754&h=528&fit=crop&dpr=2 1508w, https://images.theconversation.com/files/467325/original/file-20220607-16-b1ny4a.jpg?ixlib=rb-1.1.0&q=15&auto=format&w=754&h=528&fit=crop&dpr=3 2262w" alt="Freshwater mussels Annan River" /></a><figcaption>Freshwater mussels used to be more common. Author provided</figcaption></figure> Through the process we also documented that changes to rainfall and temperature have altered the time when some plant foods appear. This is particularly true for plants that depend upon cultural burns to flower or put up shoots. This in turn has meant that the timing of collecting and harvesting has changed. <figure class="align-right zoomable"><a href="https://images.theconversation.com/files/467328/original/file-20220607-12-61cmu0.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=1000&fit=clip"><img src="https://images.theconversation.com/files/467328/original/file-20220607-12-61cmu0.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=237&fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/467328/original/file-20220607-12-61cmu0.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=600&h=450&fit=crop&dpr=1 600w, https://images.theconversation.com/files/467328/original/file-20220607-12-61cmu0.jpg?ixlib=rb-1.1.0&q=30&auto=format&w=600&h=450&fit=crop&dpr=2 1200w, https://images.theconversation.com/files/467328/original/file-20220607-12-61cmu0.jpg?ixlib=rb-1.1.0&q=15&auto=format&w=600&h=450&fit=crop&dpr=3 1800w, https://images.theconversation.com/files/467328/original/file-20220607-12-61cmu0.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=754&h=566&fit=crop&dpr=1 754w, https://images.theconversation.com/files/467328/original/file-20220607-12-61cmu0.jpg?ixlib=rb-1.1.0&q=30&auto=format&w=754&h=566&fit=crop&dpr=2 1508w, https://images.theconversation.com/files/467328/original/file-20220607-12-61cmu0.jpg?ixlib=rb-1.1.0&q=15&auto=format&w=754&h=566&fit=crop&dpr=3 2262w" alt="bushfoods found on YBM country" /></a><figcaption>The timing of when some bushfoods appear is changing. Author provided</figcaption></figure> These climate-linked changes challenge existing bodies of traditional knowledge, altering connections between different species, ecosystems and weather patterns across Land and Sea Country. A key part of this process was developing a mutually beneficial partnership between traditional ecological knowledge holders and western scientists. It was critical to establish a relationship built on trust and respect. Walking the country first – seeing rivers, mangroves, beaches, headlands, bush, wetlands, and looking out at Sea Country – helped researchers understand the perspectives of Traditional Owners. Honouring experience and knowledge (especially that held by Elders and Indigenous rangers) was important. Indigenous cultural and intellectual property <a href="https://www.artslaw.com.au/information-sheet/indigenous-cultural-intellectual-property-icip-aitb/" target="_blank" rel="noopener">protocols</a> were recognised and respected throughout the assessment. <a href="https://www.un.org/development/desa/indigenouspeoples/wp-content/uploads/sites/19/2018/11/UNDRIP_E_web.pdf" target="_blank" rel="noopener">Respecting</a> and working collaboratively with Traditional Owners as expert scientists in their own knowledge system was critical for success. Any effort to incorporate traditional ecological knowledge in climate change assessments must protect sensitive traditional knowledge. As climate change will continue and accelerate, we must work together to minimise resulting impacts on the cultural heritage of First Nations peoples.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/183229/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/karin-gerhardt-1350288" target="_blank" rel="noopener">Karin Gerhardt</a>, PhD student, <a href="https://theconversation.com/institutions/james-cook-university-1167" target="_blank" rel="noopener">James Cook University</a>; <a href="https://theconversation.com/profiles/jon-c-day-142416" target="_blank" rel="noopener">Jon C. Day</a>, PSM, Adjunct Senior Research Fellow, ARC Centre of Excellence for Coral Reef Studies, <a href="https://theconversation.com/institutions/james-cook-university-1167" target="_blank" rel="noopener">James Cook University</a>; <a href="https://theconversation.com/profiles/larissa-hale-1346434" target="_blank" rel="noopener">Larissa Hale</a>, Yuku Baja Muliku Traditional Owner, <a href="https://theconversation.com/institutions/indigenous-knowledge-4846" target="_blank" rel="noopener">Indigenous Knowledge</a>, and <a href="https://theconversation.com/profiles/scott-f-heron-256521" target="_blank" rel="noopener">Scott F. Heron</a>, Associate Professor in Physics, <a href="https://theconversation.com/institutions/james-cook-university-1167" target="_blank" rel="noopener">James Cook University</a> This article is republished from <a href="https://theconversation.com" target="_blank" rel="noopener">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/shifting-seasons-using-indigenous-knowledge-and-western-science-to-help-address-climate-change-impacts-183229" target="_blank" rel="noopener">original article</a>. Image: Yuku Baja Muliku Land and Sea Rangers (Facebook)

Domestic Travel

Melrose Place star's son found dead at 27

The son of General Hospital and Melrose Place actor Jack Wagner has been found dead in a car park. Harrison Wagner was only 27 years old when his body was found in a carpark in Los Angeles, California at 5.14am on Monday. His cause of death remains unknown as investigations continue. Jack, 64, declined to comment about his son’s death when Page Six contacted him. It was no secret that Harrison previously struggled with drugs and alcohol and it is unclear if that contributed to his death. Jack said his son had disappeared for a week back in 2016 and was worried about his addiction. "I'm going to ask those who want to share their fears, addictions & struggles to do so w me via Twitter. We can face them 2gether, I'll start," Jack wrote on Twitter at the time. "I fear for my youngest sons safety. "Harrison has struggled w drugs & alcohol just as I did when I was younger. He's relapsed & is MIA 5days." Images: Instagram

News

Little Ash is now ready to inspire the next generation

Ash Barty’s children’s book is all ready for pre-order just three months after announcing her retirement from tennis. The former World No.1 shocked fans across the world when she announced on March 23 that she would be retiring from tennis. The 25-year-old then came out to say that she will be writing a children’s book series called Little Ash, which is now ready for pre-order and set for release in July. Ash teamed up with First Nations creatives Jasmin McGaughey and Jade Goodwin “to bring young readers this fun and exciting new illustrated series about school, sport, friendship and family”. <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/CeR-8C4BhGa/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CeR-8C4BhGa/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by Ash Barty (@ashbarty)</a> </div> </blockquote> “I’ve been working on something special that I’m excited to share with you! Coming in July, Little Ash is a series of books for young readers aged five and up,” she wrote on Instagram. “Reading to my nieces and nephew is something I love to do, and seeing their little faces light up when we read a book they love is magic. “With First Nations writer Jasmin McGaughey and illustrator Jade Goodwin, I’ve created Little Ash to be fun and relatable for all kids. “Supporting kids’ education is something I’m passionate about and if I can help encourage new readers that will make me very happy. “The Little Ash series is now available to pre-order!” Images: Instagram

Books

5 things to know about foundation models and the next generation of AI

If you’ve seen photos of <a href="https://www.nytimes.com/2022/04/06/technology/openai-images-dall-e.html" target="_blank" rel="noopener">a teapot shaped like an avocado</a> or read a well-written article that <a href="https://www.theguardian.com/commentisfree/2020/sep/08/robot-wrote-this-article-gpt-3" target="_blank" rel="noopener">veers off on slightly weird tangents</a>, you may have been exposed to a new trend in artificial intelligence (AI). Machine learning systems called <a href="https://openai.com/dall-e-2/" target="_blank" rel="noopener">DALL-E</a>, <a href="https://openai.com/blog/gpt-3-edit-insert/" target="_blank" rel="noopener">GPT</a> and <a href="https://ai.googleblog.com/2022/04/pathways-language-model-palm-scaling-to.html" target="_blank" rel="noopener">PaLM</a> are making a splash with their incredible ability to generate creative work. <blockquote class="twitter-tweet"> DALL·E 2 is here! It can generate images from text, like "teddy bears working on new AI research on the moon in the 1980s". It's so fun, and sometimes beautiful.<a href="https://t.co/XZmh6WkMAS">https://t.co/XZmh6WkMAS</a> <a href="https://t.co/3zOu30IqCZ">pic.twitter.com/3zOu30IqCZ</a> — Sam Altman (@sama) <a href="https://twitter.com/sama/status/1511715302265942024?ref_src=twsrc%5Etfw">April 6, 2022</a></blockquote> These systems are known as “foundation models” and are not all hype and party tricks. So how does this new approach to AI work? And will it be the end of human creativity and the start of a deep-fake nightmare? 1. What are foundation models? <a href="https://arxiv.org/abs/2108.07258" target="_blank" rel="noopener">Foundation models</a> work by training a single huge system on large amounts of general data, then adapting the system to new problems. Earlier models tended to start from scratch for each new problem. DALL-E 2, for example, was trained to match pictures (such as a photo of a pet cat) with the caption (“Mr. Fuzzyboots the tabby cat is relaxing in the sun”) by scanning hundreds of millions of examples. Once trained, this model knows what cats (and other things) look like in pictures. But the model can also be used for many other interesting AI tasks, such as generating new images from a caption alone (“Show me a koala dunking a basketball”) or editing images based on written instructions (“Make it look like this monkey is paying taxes”). <blockquote class="twitter-tweet"> Our newest system DALL·E 2 can create realistic images and art from a description in natural language. See it here: <a href="https://t.co/Kmjko82YO5">https://t.co/Kmjko82YO5</a> <a href="https://t.co/QEh9kWUE8A">pic.twitter.com/QEh9kWUE8A</a> — OpenAI (@OpenAI) <a href="https://twitter.com/OpenAI/status/1511707245536428034?ref_src=twsrc%5Etfw">April 6, 2022</a></blockquote> 2. How do they work? Foundation models run on “<a href="https://theconversation.com/what-is-a-neural-network-a-computer-scientist-explains-151897" target="_blank" rel="noopener">deep neural networks</a>”, which are loosely inspired by how the brain works. These involve sophisticated mathematics and a huge amount of computing power, but they boil down to a very sophisticated type of pattern matching. For example, by looking at millions of example images, a deep neural network can associate the word “cat” with patterns of pixels that often appear in images of cats – like soft, fuzzy, hairy blobs of texture. The more examples the model sees (the more data it is shown), and the bigger the model (the more “layers” or “depth” it has), the more complex these patterns and correlations can be. Foundation models are, in one sense, just an extension of the “deep learning” paradigm that has dominated AI research for the past decade. However, they exhibit un-programmed or “emergent” behaviours that can be both surprising and novel. For example, Google’s PaLM language model seems to be able to produce explanations for complicated metaphors and jokes. This goes beyond simply <a href="https://arxiv.org/abs/2204.02311" target="_blank" rel="noopener">imitating the types of data it was originally trained to process</a>. <figure class="align-center "><img src="https://images.theconversation.com/files/457594/original/file-20220412-10836-vaj8rb.gif?ixlib=rb-1.1.0&q=45&auto=format&w=754&fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/457594/original/file-20220412-10836-vaj8rb.gif?ixlib=rb-1.1.0&q=45&auto=format&w=600&h=333&fit=crop&dpr=1 600w, https://images.theconversation.com/files/457594/original/file-20220412-10836-vaj8rb.gif?ixlib=rb-1.1.0&q=30&auto=format&w=600&h=333&fit=crop&dpr=2 1200w, https://images.theconversation.com/files/457594/original/file-20220412-10836-vaj8rb.gif?ixlib=rb-1.1.0&q=15&auto=format&w=600&h=333&fit=crop&dpr=3 1800w, https://images.theconversation.com/files/457594/original/file-20220412-10836-vaj8rb.gif?ixlib=rb-1.1.0&q=45&auto=format&w=754&h=418&fit=crop&dpr=1 754w, https://images.theconversation.com/files/457594/original/file-20220412-10836-vaj8rb.gif?ixlib=rb-1.1.0&q=30&auto=format&w=754&h=418&fit=crop&dpr=2 1508w, https://images.theconversation.com/files/457594/original/file-20220412-10836-vaj8rb.gif?ixlib=rb-1.1.0&q=15&auto=format&w=754&h=418&fit=crop&dpr=3 2262w" alt="A user interacting with the PaLM language model by typing questions. The AI system responds by typing back answers." /><figcaption>The PaLM language model can answer complicated questions. <a class="source" href="https://ai.googleblog.com/2022/04/pathways-language-model-palm-scaling-to.html" target="_blank" rel="noopener">Google AI</a></figcaption></figure> 3. Access is limited – for now The sheer scale of these AI systems is difficult to think about. PaLM has 540 billion parameters, meaning even if everyone on the planet memorised 50 numbers, we still wouldn’t have enough storage to reproduce the model. The models are so enormous that training them requires massive amounts of computational and other resources. One estimate put the cost of training OpenAI’s language model GPT-3 at <a href="https://lambdalabs.com/blog/gpt-3/" target="_blank" rel="noopener">around US$5 million</a>. As a result, only huge tech companies such as OpenAI, Google and Baidu can afford to build foundation models at the moment. These companies limit who can access the systems, which makes economic sense. Usage restrictions may give us some comfort these systems won’t be used for nefarious purposes (such as generating fake news or defamatory content) any time soon. But this also means independent researchers are unable to interrogate these systems and share the results in an open and accountable way. So we don’t yet know the full implications of their use. 4. What will these models mean for ‘creative’ industries? More foundation models will be produced in coming years. Smaller models are already being published in <a href="https://openai.com/blog/gpt-2-1-5b-release/" target="_blank" rel="noopener">open-source forms</a>, tech companies are starting to <a href="https://openai.com/blog/openai-api/" target="_blank" rel="noopener">experiment with licensing and commercialising these tools</a> and AI researchers are working hard to make the technology more efficient and accessible. The remarkable creativity shown by models such as PaLM and DALL-E 2 demonstrates that creative professional jobs could be impacted by this technology sooner than initially expected. Traditional wisdom always said robots would displace “blue collar” jobs first. “White collar” work was meant to be relatively safe from automation – especially professional work that required creativity and training. Deep learning AI models already exhibit super-human accuracy in tasks like <a href="https://theconversation.com/ai-could-be-our-radiologists-of-the-future-amid-a-healthcare-staff-crisis-120631" target="_blank" rel="noopener">reviewing x-rays</a> and <a href="https://www.macularsociety.org/about/media/news/breakthrough-artificial-intelligence-ai-helps-detect-dry-amd/" target="_blank" rel="noopener">detecting the eye condition macular degeneration</a>. Foundation models may soon provide cheap, “good enough” creativity in fields such as advertising, copywriting, stock imagery or graphic design. The future of professional and creative work could look a little different than we expected. 5. What this means for legal evidence, news and media Foundation models will inevitably <a href="https://www.abc.net.au/news/2021-08-01/historic-decision-allows-ai-to-be-recognised-as-an-inventor/100339264" target="_blank" rel="noopener">affect the law</a> in areas such as intellectual property and evidence, because we won’t be able to assume <a href="https://www.smithsonianmag.com/smart-news/us-copyright-office-rules-ai-art-cant-be-copyrighted-180979808/" target="_blank" rel="noopener">creative content is the result of human activity</a>. We will also have to confront the challenge of disinformation and misinformation generated by these systems. We already face enormous problems with disinformation, as we are seeing in the <a href="https://theconversation.com/fake-viral-footage-is-spreading-alongside-the-real-horror-in-ukraine-here-are-5-ways-to-spot-it-177921" target="_blank" rel="noopener">unfolding Russian invasion of Ukraine</a> and the nascent problem of <a href="https://theconversation.com/3-2-billion-images-and-720-000-hours-of-video-are-shared-online-daily-can-you-sort-real-from-fake-148630" target="_blank" rel="noopener">deep fake</a> images and video, but foundation models are poised to super-charge these challenges. Time to prepare As researchers who <a href="https://www.admscentre.org.au/" target="_blank" rel="noopener">study the the effects of AI on society</a>, we think foundation models will bring about huge transformations. They are tightly controlled (for now), so we probably have a little time to understand their implications before they become a huge issue. The genie isn’t quite out of the bottle yet, but foundation models are a very big bottle – and inside there is a very clever genie.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/181150/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/aaron-j-snoswell-1331146" target="_blank" rel="noopener">Aaron J. Snoswell</a>, Post-doctoral Research Fellow, Computational Law & AI Accountability, <a href="https://theconversation.com/institutions/queensland-university-of-technology-847" target="_blank" rel="noopener">Queensland University of Technology</a> and <a href="https://theconversation.com/profiles/dan-hunter-1336925" target="_blank" rel="noopener">Dan Hunter</a>, Executive Dean of the Faculty of Law, <a href="https://theconversation.com/institutions/queensland-university-of-technology-847" target="_blank" rel="noopener">Queensland University of Technology</a> This article is republished from <a href="https://theconversation.com" target="_blank" rel="noopener">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/robots-are-creating-images-and-telling-jokes-5-things-to-know-about-foundation-models-and-the-next-generation-of-ai-181150" target="_blank" rel="noopener">original article</a>. Image: OpenAI

Technology

Reader’s Respond: What is something younger generations will never understand?

We asked you to take a trip down memory lane and share something younger generations will never understand and your responses did not disappoint. From black-and-white TVs to getting up to change the channel, having your milk delivered to your front door and even good old-fashioned typewriters, here are just some of the memories you shared. Dawn Dominick - The sense of safety that we had growing up. Jeanne-Marie Thomas - When you are 81...you live in a world soooo different from the world you grew up in! The list is immense. Keith Wilson - Having to stand up to change the channel Joan Gebetsberger - Milkman, Bread delivered not sliced, listening to the radio for the serials no TV. Playing in the street, hunting tadpoles enjoying the outdoors Anne Mckeon - Being thankful for what we had. Margaret Inglis - Typewriters. And carbon paper to place between 2 pieces of paper to make a copy. And put it in an envelope to forward it to someone. Tolla Edda Anderson - Not being able to use the phone and computer at the same time. Maureen Lyons Martinsky - Dialling a rotary phone. Geoff Scrimes - No internet. Maybe black and white TV too. Of course no cell phones!! Rosy Bloom - Stockings, suspenders, belts and corsets! Marguerite Gainsford Stanford - actual money (cash) instead of paying everything on cards. Steve Smith - milk bottles delivered to your front door. Image: Shutterstock

Retirement Life

QEII makes a "generous donation" to Ukraine

In a vocal display of support, Queen Elizabeth has supported Ukraine with a "generous" donation. The 95-year-old monarch donated an undisclosed amount to the DEC Ukraine Humanitarian Appeal, according to a tweet made by The Disasters Emergency Committee on Thursday. The Queen's public display of support for Ukraine comes just days after Prince Charles and Camilla had an "emotional" meeting with Ukrainians living in London. Camilla was seen to be tearful as she embraced the wife of Ukraine's Ambassador to the UK Vadym Prystaiko before saying "we are praying for you". <blockquote class="twitter-tweet"> Many thanks to Her Majesty The Queen for continuing to support the Disasters Emergency Committee and for making a generous donation to the DEC Ukraine Humanitarian Appeal. <a href="https://twitter.com/RoyalFamily?ref_src=twsrc%5Etfw">@RoyalFamily</a> <a href="https://twitter.com/hashtag/UkraineAppeal?src=hash&ref_src=twsrc%5Etfw">#UkraineAppeal</a> — DEC (@decappeal) <a href="https://twitter.com/decappeal/status/1499431223969595392?ref_src=twsrc%5Etfw">March 3, 2022</a></blockquote> Prince Charles also gave an unexpected speech in which he said he and his wife had been "deeply moved" during their visit, especially after seeing the "extraordinary bravery, generosity and fortitude of the Ukrainian community in the face of such truly terrible aggression". The Duke and Duchess of Cambridge have also spoken out against the Russian invasion of Ukraine with a message on Twitter, recalling when they first met the Ukrainian President Volodymyr Zelenskyy. "Today we stand with the President and all of Ukraine’s people as they bravely fight for that future," Kate and William's message said. <blockquote class="twitter-tweet"> In October 2020 we had the privilege to meet President Zelenskyy and the First Lady to learn of their hope and optimism for Ukraine’s future. Today we stand with the President and all of Ukraine’s people as they bravely fight for that future 🇺🇦 W & C — The Duke and Duchess of Cambridge (@KensingtonRoyal) <a href="https://twitter.com/KensingtonRoyal/status/1497556980067676163?ref_src=twsrc%5Etfw">February 26, 2022</a></blockquote> Prince Harry and Meghan Markle also shared a message of support on their Archewell Foundation website the day the invasion began, writing, "Prince Harry and Meghan, The Duke and Duchess of Sussex and all of us at Archewell stand with the people of Ukraine against this breach of international and humanitarian law and encourage the global community and its leaders to do the same." The invasion of Ukraine began on February 24th when Russia launched a full-scale military operation that has led to over 9,000 deaths with thousands of people forced to flee their homes. Image credits: Getty Images

Money & Banking

New Netflix doco narrated by AI-generated Andy Warhol

A new documentary about artist Andy Warhol will resurrect the art world icon through artificial intelligence. Following a controversial trend amongst filmmakers, the artist will be heard reading through his diary entries and discussing his successful art career. The voice will not be that of the real artist, but rather created to mimic his voice through artificial intelligence technology. Warhol, who died in 1987, had an extensive impact on the art world with his famous pop art movement and his Campbell soup cans collections. Andrew Rossi, who created the upcoming The Andy Warhol Diaries series, undertook this unusual measure with the Andy Warhol Foundation to have their permission to create the series with his AI-generated voice, according to the recently released trailer. The series also portrays the AI-generated narration as something Warhol himself would’ve wanted. In recent years, many filmmakers have relied on AI technology to recreate the voice of a deceased person for a biographical documentary. Last year, AI was used to recreate Anthony Bourdain’s voice for Roadrunner and to reconstruct footage of the Beatles producing their album Let It Be for the three-part series Get Back. Though generally seen as technically impressive, this usage of AI has provoked debate about the ethics of utilising the technology to “resurrect” dead figures, and generated questions about the truth-telling quality commonly associated with documentary filmmaking. You can check out the trailer for The Andy Warhol Diaries below. <iframe title="YouTube video player" src="https://www.youtube.com/embed/aeC76ncf66w" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe> Image credits: Getty Images

Art

“How dare you”: PM’s ‘apology’ to Stolen Generations slammed

Indigenous senator Lidia Thorpe is among many Indigenous leaders who have <a href="https://www.dailymail.co.uk/news/article-10509713/Aboriginal-senator-Lidia-Thorpe-blasts-Scott-Morrison-Stolen-Generations-speech.html" target="_blank" rel="noopener">criticised</a> Prime Minister Scott Morrison for asking for forgiveness on the anniversary of Kevin Rudd’s apology to the Stolen Generations.Mr Morrison spoke about the anniversary in a speech to Parliament on Monday, marking 14 years since former Prime Minister Rudd made the historic apology.The Rudd government issued the Apology to Australia’s Indigenous Peoples in 2008, acknowledging the historic laws and policies that led to the removal of Aboriginal and Torres Strait Islander children from their families and communities.Mr Morrison said an apology involves “standing in the middle ground exposed, vulnerable and seeking forgiveness”.“And as I said when I spoke in support of the original motion here in this place on the other side of the Chamber 14 years ago, sorry can never be given without any expectation of forgiveness. But there can be hope,” Mr Morrison said.“Forgiveness is never earned or deserved. It’s an act of courage. And it is a gift that only those who have been wounded, damaged and destroyed can offer.“Forgiveness transcends all of that. It’s an act of grace. It’s an act of courage. And it is a gift that only those who have been wounded, damaged and destroyed can offer.“I also said 14 years ago, ‘sorry is not the hardest word to say, the hardest is I forgive you’.”<blockquote class="twitter-tweet">This is outright disrespect to all those effected by Stolen Generations in this country. How dare you ask for forgiveness when you still perpetrate racist policies and systems that continue to steal our babies. That is not an apology. <a href="https://t.co/3VG6OcVGuN">pic.twitter.com/3VG6OcVGuN</a>— Senator Lidia Thorpe (@SenatorThorpe) <a href="https://twitter.com/SenatorThorpe/status/1493049463166083072?ref_src=twsrc%5Etfw">February 14, 2022</a></blockquote>Following Mr Morrison’s speech, Senator Thorpe shared her criticism of the Prime Minister on Twitter, saying he had shown “outright disrespect” to members of the Stolen Generations.“This is outright disrespect to all those affected by Stolen Generations in this country,” the Greens member wrote.“How dare you ask for forgiveness when you still perpetrate racist policies and systems that continue to steal our babies. That is not an apology.”<blockquote class="twitter-tweet">Our official* response to what Scott Morrison said today: *polite <a href="https://t.co/DRsrdGvcV1">pic.twitter.com/DRsrdGvcV1</a>— First Peoples' Assembly of Victoria (@firstpeoplesvic) <a href="https://twitter.com/firstpeoplesvic/status/1493069336940285953?ref_src=twsrc%5Etfw">February 14, 2022</a></blockquote>The <a href="https://www.firstpeoplesvic.org/" target="_blank" rel="noopener">First Peoples’ Assembly of Victoria</a>, the organisation responsible for developing a treaty with the state government, also released a statement on Twitter, simply stating: “Get in the bin.”Marcus Stewart, a co-chair of the First Peoples’ Assembly, later shared a translation of the statement in Taungurung - the language spoken by the Taungurung people whose country encompasses much of central Victoria.“Some people have said our media release was rude,” he captioned the photo of the translated statement.“For the haters, is it more poetic in language?”<blockquote class="twitter-tweet">Some people have said our media release was rude. For the haters, is it more poetic in language? <a href="https://t.co/rDa4zz7b0p">pic.twitter.com/rDa4zz7b0p</a>— Marcus Stewart (@marcusbstewart) <a href="https://twitter.com/marcusbstewart/status/1493128028305903619?ref_src=twsrc%5Etfw">February 14, 2022</a></blockquote>Indigenous Affairs Minister Ken Wyatt also made a statement marking the anniversary in Parliament, where he said that although acknowledging “the wrongdoing can ease some suffering, it will never remove it”.Image: House of Representatives

News

How to care for ageing parents: Strategies for the sandwich generation

The burden of the sandwich generationMum hurt her foot. That’s the only detail you can lure out of her over the phone, which right now makes the distance between the two of you feel that much farther. She’s limping and doesn’t want to go to a doctor. Instead, she wants you to look at it, ignoring the fact that you have a full-time job, two kids and, oh yeah, you live three hours away. Sound familiar? Managing the seniors in your life, whether it’s helping them through their health problems or clearing up insurance issues, is the burden of the sandwich generation.So how can you care for ageing parents when you’re far from home and juggling the responsibility of raising your own family? Here are some strategies from professional caregivers that can help you to help them – even if you live on opposite sides of the country.Make a plan for senior care before it becomes an issue“The older generation can be secretive, but the sandwich generation is more open and aware that communication is important,” says Karen Seebach, a nurse advisor with a caregiver support service. “You need to have a conversation in advance about what they would like to do as they age. Do they want to stay in their home? Does someone have power of attorney? These conversations are very important to start early on.”Read between the linesDad says he’s fine on the phone, but you suspect he’s not taking his medications. The litmus test? Look for a change in the way he communicates. “If a parent is usually chatty and has become quieter, that’s something you need to pay attention to,” says Luanne Whitmarsh, chief executive officer at an organisation assisting seniors. Inconsistent communication from your ageing parent is a red flag that warrants deeper investigation.Create a support networkYou might be tempted to take the day off work to check out that sore foot your mum was complaining about – and you’re not alone. Many caregivers who live more than a half day’s travel away from their ill parent are missing full days of work to help provide care. Instead, get to know the people who interact with your ageing parents day to day. “Become familiar with the neighbours or a house cleaner or something like that,” suggests Whitmarsh. “This way, they can give you the real information you may not be getting.”Research senior outreach services“The more isolated a senior becomes, the more risk there is,” says Joanne Toller, senior fund developer with a seniors resource group. She suggests doing homework on behalf of your ageing parents to find outreach services in their area or organisations that can provide referrals to services that can help seniors with day-to-day tasks. These might include driving services, foot care clinics (look for brochures at doctor’s offices and walk-in clinics) and meal delivery services. More support can be found by making inquiries with the local municipal government, service clubs and churches.Speak with your own doctorMum’s sounding much more confused lately and you’re worried about dementia. You could call your mum’s physician to discuss the issue, or, as Whitmarsh suggests, you could express your concerns to your own doctor, with whom you already have a relationship. Explain what you’ve observed and share the contact information for your mother’s doctor. “Doctor to doctor, they have a way better way of communicating and have a given level of trust,” Whitmarsh says.Image credits: Getty ImagesThis article originally appeared on <a href="https://www.readersdigest.co.nz/true-stories-lifestyle/relationships/how-to-care-for-ageing-parents-strategies-for-the-sandwich-generation" target="_blank" rel="noopener">Reader's Digest</a>.

Family & Pets

Ancient knowledge is lost when a species disappears. It’s time to let Indigenous people care for their country, their way

Indigenous people across Australia place tremendous cultural and customary value on many species and ecological communities. The very presence of a plant or animal species can trigger an Indigenous person to recall and share knowledge. This is crucial to maintaining culture and managing Country. But as species disappear, ancient knowledge built up over thousands of years also fades away – and fragments of our culture are lost forever. For years, Indigenous groups have pushed for the right to partner with government authorities to “co-manage” culturally significant species and communities. Such recognition of Indigenous rights would require amendments to environment and land management laws. Unfortunately, changes to Australia’s federal environment laws currently underway fall short of what’s needed. To protect Australia’s imperilled species, the law must chart a new course that allows Indigenous groups to manage their Country, their way. <a href="https://images.theconversation.com/files/434938/original/file-20211201-25-189bdrg.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=1000&fit=clip"><img src="https://images.theconversation.com/files/434938/original/file-20211201-25-189bdrg.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=754&fit=clip" alt="A woman welcomed to Country" /></a> Ngurrara Ranger Mary is welcomed to Paruku Country in the Great Sandy Desert. A meeting between many groups discussed threatened and culturally significant species. Nicolas Rakotopare/Yanunijarra Aboriginal Corporation <h2>Managing the Indigenous estate</h2> Australia’s <a href="https://www.themandarin.com.au/68385-indigenous-estate-ilc-chairperson-eddie-fry-garma/">Indigenous estate</a> takes in about <a href="https://journals.plos.org/plosone/article?id=10.1371/journal.pone.0173876">51% of the range</a> of the nation’s threatened vertebrate species. The Indigenous estate refers to the assets held, or reasonably likely to be held, by or for the benefit of Aboriginal and/or Torres Strait Islander people. It includes land and sea held through such means as traditional ownership, native title and land rights organisations. It also includes intangible values such as cultural rights, practice and expression, as well as Indigenous knowledge and traditional management. A range of state and federal programs involve Indigenous participation in land and sea management, offering invaluable protection to the Indigenous estate. These include Indigenous Protected Areas and the successful <a href="https://www.niaa.gov.au/indigenous-affairs/environment/indigenous-ranger-programs">Indigenous Ranger program</a>. And many governments and other groups recognise that species and ecological communities can have significant cultural, spiritual and customary value to Indigenous Australians. But often, no legal mechanism exists to protect these entities. Some species and other entities of significance to Indigenous Australians are listed as threatened under Australia’s federal environment law, known as the Environment Protection and Biodiversity Conservation (EPBC) Act. But authorities are not required to engage Indigenous Australians in the listing, management or recovery of these species. Indigenous Australians have successfully managed this continent’s landscapes and seascapes for tens of thousands of years. Their approach is holistic and integrated – considering the whole cultural landscape with a deep understanding of the interconnected relationships between species and Country. In contrast, management actions under federal environment law focus on the outcomes of the listed species instead of the overall health of Country. All this has left Indigenous groups underfunded and at the mercy of national-level management decisions, as opposed to place-based Indigenous-led action. <a href="https://images.theconversation.com/files/434940/original/file-20211201-25-b87h6o.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=1000&fit=clip"><img src="https://images.theconversation.com/files/434940/original/file-20211201-25-b87h6o.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=754&fit=clip" alt="Men sitting around a map" /></a> Ngurrara Rangers map potential night parrot habitat. The meeting was hosted by Paruku Rangers and Traditional Owners in the Great Sandy Desert. Nicolas Rakotopare/Yanunijarra Aboriginal Corporation <h2>‘Surprising and disappointing’</h2> The EPBC Act was recently reviewed by Professor Graeme Samuel, who was commissioned by the federal government. His <a href="https://epbcactreview.environment.gov.au/resources/final-report">final report</a> in 2020 found the law was failing in many ways. Samuel recommended a suite of reforms. Among other goals, they aimed to “respect and harness the knowledge of Indigenous Australians”. One year on and <a href="https://www.canberratimes.com.au/story/7591429/a-year-on-from-a-landmark-report-nature-and-law-reform-is-floundering/">progress</a> on implementing the 38 recommendations is slow. Among the recommendations were that the EPBC Act adopt a set of legally enforceable “national environmental standards” – clear rules that protect the environment and enable sustainable development. The standards <a href="https://www.theguardian.com/australia-news/2021/jan/28/australia-urged-to-overhaul-environment-laws-and-reverse-decline-of-our-iconic-places">would cover</a> matters such as threatened species, compliance, environmental data and <a href="https://epbcactreview.environment.gov.au/resources/final-report/appendix-b2-indigenous">Indigenous engagement</a> and participation in decision-making. It was both surprising and disappointing that Indigenous knowledge was not embedded across all proposed environmental standards. The omission means Indigenous perspectives will continue to be relegated to a stand-alone standard of “participation”. In particular, the national standard pertaining to threatened species made no reference to Indigenous knowledge or the Indigenous estate. And proposed <a href="http://www.environment.gov.au/system/files/pages/44b768d8-75ad-417d-84cc-dfb0e069e97e/files/national-environmental-standard-mnes-2021-draft.pdf">interim standards</a> completely omit Indigenous engagement, participation and values. Without a mandate to include Indigenous people in threatened species planning and recovery, biodiversity will remain at risk. What’s more, significant gaps in the application of Indigenous Knowledge and protection of the Indigenous estate will continue. <a href="https://images.theconversation.com/files/434973/original/file-20211201-27-tg1guw.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=1000&fit=clip"><img src="https://images.theconversation.com/files/434973/original/file-20211201-27-tg1guw.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=754&fit=clip" alt="hands with green turtle eggs" /></a> Rangers collecting green turtle eggs on Yanyuwa Country in the Gulf of Carpentaria. Nicolas Rakotopare <h2>A new kind of recognition</h2> During the submission process of the review, <a href="https://epbcactreview.environment.gov.au/sites/default/files/2020-06/ANON-QJCP-UGT1-F%20-%20Indigenous%20Working%20Group%20-%20Threatened%20Species%20Recovery%20Hub.pdf">many</a> Indigenous and <a href="https://www.ecolsoc.org.au/news/esa-response-to-epbc-interim-report/">non-Indigenous</a> organisations <a href="https://epbcactreview.environment.gov.au/submissions/anon-qjcp-ugt1-f">lobbied</a> for the recognition of “culturally significant entities”. These groups include the government’s own <a href="https://epbcactreview.environment.gov.au/submissions/bhlf-qjcp-ug3c-z">Indigenous Advisory Committee</a> and <a href="https://epbcactreview.environment.gov.au/submissions/anon-k57v-xf2u-j">Threatened Species Scientific Committee</a>. “Culturally significant entities” are species and sites of great or exceptional cultural importance to Indigenous Australians. They might be a source of identity, a medicine, lore, an important traditional food or required for cultural practices. They usually feature prominently in Indigenous knowledge, language and ceremonies. Submissions to the review called for these entities to be formally recognised under the EPBC Act and afforded a far higher level of protection. They also called for the mandatory participation of Indigenous Australians in threatened species nominations, listings, policy and management. Many Indigenous Australians were disappointed this measure was not mentioned in Samuel’s final report. Without proper legal protection, culturally significant entities will not be assessed and can be damaged by threats such as climate change, inappropriate land management and poorly conceived development proposals. <img src="https://images.theconversation.com/files/434970/original/file-20211201-13-1b11i3o.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=754&fit=clip" alt="Man holds lizard" /> A yellow-spotted monitor – a culturally significant bush tucker species – on Karajarri Country. Sarah Legge <h2>From engagement to empowerment</h2> It’s time for governments and conservation groups to recognise the enduring value of the Indigenous estate and knowledge in curbing Australia’s parlous record of biodiversity loss. While many of Samuel’s recommendations attempted to address issues raised by Indigenous Australians, they fall short of true empowerment and global best practice. As the size and scale of the Indigenous estate continues to <a href="https://minister.awe.gov.au/ley/media-releases/australia-signs-international-biodiversity-declaration">grow</a>, so to does the opportunity to arrest biodiversity decline. Rather than sitting in the back seat, Indigenous Australians must be up front in managing the recovery of Australia’s unique and precious environment. The authors acknowledge and thank the following people for their contributions to this work and article: Oliver Costello, a Bundjalung man; and Cissy Gore-Birch, a Jaru, Nyikina and Balanggarra woman, and Executive Manager Aboriginal Engagement at Bush Heritage Australia.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important; text-shadow: none !important;" src="https://counter.theconversation.com/content/172760/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/teagan-goolmeer-1288819">Teagan Goolmeer</a>, PhD Candidate, <a href="https://theconversation.com/institutions/the-university-of-melbourne-722">The University of Melbourne</a>; <a href="https://theconversation.com/profiles/assoc-prof-bradley-j-moggridge-400729">Assoc Prof Bradley J. Moggridge</a>, Associate Professor in Indigenous Water Science, <a href="https://theconversation.com/institutions/university-of-canberra-865">University of Canberra</a>, and <a href="https://theconversation.com/profiles/professor-stephen-van-leeuwen-1289086">Professor Stephen van Leeuwen</a>, BHP / Curtin Indigenous Chair of Biodiversity & Environmental Science, <a href="https://theconversation.com/institutions/curtin-university-873">Curtin University</a> This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/ancient-knowledge-is-lost-when-a-species-disappears-its-time-to-let-indigenous-people-care-for-their-country-their-way-172760">original article</a>. Image: Nicolas Rakotopare/Karajarri Traditional Lands Association

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Storytelling allows elders to transfer values and meaning to younger generations

ChatGPT and other generative AI could foster science denial and misunderstanding – here’s how you can be on alert

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